tv [untitled] January 26, 2011 3:00pm-3:30pm PST
housing -- over $25,000. they will start distributing those toys december 20 through december 23. we are going to post and on the website. i just wanted knowledge, in doing your everyday work, they give so much time to our community, and this is a wonderful thing to do to give toys to the children of those in the housing authority. thank you. [applause]
timothy paine, sergeant james o'malley, sgt gregory kane, officer william eleiff, and officer steven stearns. [applause] >> on may 5, 2004, a round in o'clock p.m., there was an attempted kidnapping of strangers of a woman and her son. the suspect proceeded in a chevy trailblazer and used a large caliber gun and fled westbound on any street. the suspect's description was broadcast five minutes later at 8:05.
two minutes after that, officer eleiff saw the suspect vehicle and paged and began following it. as he broadcast, holding a court microphone, his location, the vehicle sped off at a high rate of speed. opposite the live activated his lights and sirens and pursue the vehicle. the suspect drove west on haight and then northwest on the visitor. the suspect drove northbound in the southbound lanes of the visitor. of azeri live broadcast a license plate as the suspect turned west on hayes. the suspect drove north on broadway and fired one shot at officer eleiff. , -- stearns, and kane.
those shots can be heard of the recording of the night. the suspect headed north and again leaned out the window to fire at the pursuing officers. the suspect then turned eastbound on to turkey into oncoming one way traffic. officers paine and o'malley saw the vehicle traveling up a high rate of speed on to oncoming traffic. officer pain is a specialist. they are more heavily trained in these types of situations. knowing the information, he attempted to halt the suspect by firing at the suspect. the round, but officers hearing the shot at the suspect had fired at them. officers o'malley and paine, knowing that officer eleiff was
a single unit, decided to pursue the suspect. the suspect continued into oncoming traffic until he turned north on webster and the east oneddy, sot on buchanan. during this pursuit, officer you lift prop broadcast the suspects route while driving, holding the microphone in one hand. once in large rally, the suspect drove along the block calling for residents of the housing project to come out and stop his car. officers paid and o'malley not arrived at the other end of the alley. officer of valley got out of his car and ran down the building line toward the vehicle. the vehicle started again. fear of the suspect might get into another altercation with civilians, as this was mayor of the scene of the initial incident, or leave the alley to in danger citizens and officers, officer of valley stopped --
officer o'malley shot one shot. the suspect fired a round at them through his back window. officers came, stern, and the live, returned fire without hitting the suspect. the officers continued their verbal commands to the suspect to put up his hands and leave the vehicles. the suspect got out of the driver's door, raised his hands, took off his shirt doing a full circle. the suspect then dropped his hands to his waist and took a few steps toward the officers who did not fire at these provoking actions. the suspect then returned to his car and sat on the running board. officers kept up a stream of commands for the suspect to surrender which he ignored. officer pain move down the alley toward the alley, warning people to get out of the street. sgt. paine had arrived at a position parallel to that of the subject -- suspect.
the suspect turned in the car and appeared to be getting something. he turned back toward the officers who again held their fire. the suspect turned back toward the inside of the vehicle, appeared to shield his movement. officer -- sgt. kane saw the suspect reached under his driver seat. the suspect then spun around toward the officers. sgt. paine, believing the suspect would again opened fire, fire three shots. the suspect fell to the ground. officers called for an ambulance and administered first aid. the suspect was pronounced dead at the same. the suspect's gun was recovered in the driver's door. the suspect was initially wanted for attempted to kidnap a stranger and alison son using a gun. this heinous crime testify the pursuit of the subject. the suspect's crimes showed a
gravest threat to public safety. the suspect then fired repeatedly at officers. each of these officers had time to make a decision to put their lives at risk for the public safety. each of these officers could have made decisions to not join in on the efforts or to abandon their attempts to take the dangers of its critics suspect into -- custody. officer eleiff could have backed off the chase as a 1 person unit. officer stearns and sgt. kane could have done nothing. officer came and started o'malley also could have decided not to. each of these officers showed restraint in not firing their weapons where a suspect provocative action would normally end in shooting. these officers were awarded the
>> it is with great pride that we honor these individuals for their valor. every day, officers put their lives at risk and do very good police work and we do not do enough to thank them for that. i am brought to be part of a ceremony where we can point to these heroes and thank them publicly, the way that we should do so every day publicly. so thank you again. [applause]
the police commission and the park would would also like to think the diversity of california's san francisco for its generous support in co- sponsored tonight's event. we would like to single out the community relations office and the conference center office for putting tonight's ceremony and their generous support. i also want to thank ms. tom. she is the one that put the packs together and organized the event. she did a lot of work and happy that she could be here tonight. this concludes our ceremony. there will be refreshments out in front. there is a photographer. you want to take pictures. i am going to go outside and shake the hands of some heroes and thank them. i hope that you will do the
acknowledgement of the special places around san francisco bay. well, there is something sort of innate in human beings, i think, that tend to recognize a good spot when you see it, a spot that takes your breath away. this is one of them. >> an icon of the new deal. >> we stood here a week ago and we heard all of these dignitaries talk about the symbol that coit tower is for san francisco. it's interesting for those of us in the pioneer park project is trying to make the point that not only the tower, not only this man-built edifice here is a symbol of the city but also the green space on which it sits and the hill to which is rests. to understand them, you have to understand the topography of san francisco. early days of the city, the city grows up in what is the financial district on the edge of chinatown. everything they rely on for
existence is the golden gate. it's of massive importance to the people what comes in and out of san francisco bay. they can't see it where they are. they get the idea to build a giant wooden structure. the years that it was up here, it gave the name telegraph hill. it survived although the structure is long gone. come to the 1870's and the city has growed up remarkably. it's fueled with money from the nevada silver mines and the gold rush. it's trying to be the paris of the wt. now the beach is the suburbs, the we will their people lived on the bottom and the poorest people lived on the top because it was very hard getting to the top of telegraph hill. it was mostly lean-to sharks and bits of pieces of houses up here in the beginning. and a group of 20 businessmen decided that it would be better if the top of the hill remained for the public. so they put their money down and they bought four lots at
the top of the hill and they gave them to the city. lily hitchcock coit died without leaving a specific use for her bequest. she left a third of her estate for the beautify indication of the city. arthur brown, noted architect in the city, wanted for a while to build a tower. he had become very interested in persian towers. it was the 1930's. it was all about machinery and sort of this amazing architecture, very powerful architecture. he convinced the rec park commission that building a tower in her memory would be the thing to do with her money. >> it was going to be a wonderful observation place because it was one of the highest hills in the city anywhere and that that was the whole reason why it was built that high and had the elevator access immediately from the beginning as part of its features.
>> my fear's studio was just down the street steps. we were in a very small apartment and that was our backyard. when they were preparing the site for the coit tower, there was always a lot of harping and griping about how awful progress was and why they would choose this beautiful pristine area to do them in was a big question. as soon as the coit tower was getting finished and someone put in the idea that it should be used for art, then, all of a sudden, he was excited about the coit tower. it became almost like a daily destination for him to enjoy the atmosphere no matter what the politics, that wasn't the point. as long as they fit in and did
their work and did their own creative expression, that was all that was required. they turned in their drawings. the drawings were accepted. if they snuck something in, well, there weren't going to be any stoolies around. they made such careful little diagrams of every possible little thing about it as though that was just so important and that they were just the big frog. and, actually, no one ever felt that way about them and they weren't considered something like that. in later life when people would approach me and say, well, what did you know about it? we were with him almost every day and his children, we grew up together and we didn't think of him as a commie and also the same with the other.
he was just a family man doing normal things. no one thought anything of what he was doing. some of them were much more highly trained. it shows, in my estimation, in the murals. this was one of the masterpieces. families at home was a lot more close to the life that i can remember that we lived. murals on the upper floors like the children playing on the swings and i think the little deer in the forest where you could come and see them in the woods and the sports that were always available, i think it did express the best part of our lives. things that weren't costing money to do, you would go to a picnic on the beach or you would do something in the
woods. my favorite of all is in the staircase. it's almost a miracle masterpiece how he could manage to not only fit everyone, of course, a lot of them i recognized from my childhood -- it's how he juxtaposed and managed to kind of climb up that stairway on either side very much like you are walking down a street. it was incredible to do that and to me, that is what depicted the life of the times in san francisco. i even like the ones that show the industrial areas, the once with the workers showing them in the cannery and i can remember going in there and seeing these women with the caps, with the nets shuffling these cans through. my parents had a ranch in santa rosa and we went there all
summer. i could see these people leaning over and checking. it looked exactly like the beautiful things about the ranch. i think he was pretty much in the never look back philosophy about the coit. i don't think he ever went to visit again after we moved from telegraph hill, which was only five or six years later. i don't think he ever had to see it when the initials are scratched into everything and people had literally destroyed the lower half of everything. >> well, in my view, the tower had been pretty much neglected from the 1930's up until the 1980's. it wasn't until then that really enough people began to be alarmed about the condition of the murals, the tower was leaking. some of the murals suffered wear damage.
we really began to organize getting funding through the arts commission and various other sources to restore the murals. they don't have that connection or thread or maintain that connection to your history and your past, what do you have? that's one of the major elements of what makes quality of life in san francisco so incredible. when people ask me, and they ask me all the time, how do you get to coit tower, i say you walk. that's the best way to experience the gradual elevation coming up above the hustle and bustle of the city and finding this sort of oasis, if you will, at the top of the hill. when i walk through this park, i look at these brick walls and this lawn, i look at the railings around the murals. i look at the restoration and i think, yeah, i had something to
do with that. learning the lessons, thank you, landmarks meet landmarks. the current situation at pioneer park and coit tower is really based in public and private partnership. it was the citizens who came together to buy the land to keep it from being developed. it was lily hitchcock coit to give money to the city to beautify the city she loved of the park project worked to develop this south side and still that's the basis of our future project to address the north side.
there are so many ways that the internet provides real access to real people and resources and that's what we're try to go accomplish. >> i was interested in technology like video production. it's interesting, you get to create your own work and it reflects what you feel about saying things so it gives perspective on issues. >> we work really hard to develop very in depth content, but if they don't have a venue, they do not have a way to show us, then this work is only staying here inside and nobody
knows the brilliance and the amazing work that the students are doing. >> the term has changed over time from a very basic who has a computer and who doesn't have a computer to now who has access to the internet, especially high speed internet, as well as the skills and the knowledge to use those tools effectively. . >> the city is charged with coming up with digital inclusion. the department of telecommunications put together a 15 member san francisco tech connect task force. we want the digital inclusion program to make sure we address the needs of underserved vulnerable communities, not communities that are already very tech savvy. we are here to provide a, b and c to the seniors. a stands for access. b stands for basic skills and c stands for content. and unless we have all three,
the monolingual chinese seniors are never going to be able to use the computer or the internet. >> a lot of the barrier is knowledge. people don't know that these computers are available to them, plus they don't know what is useful. >> there are so many businesses in the bay area that are constantly retiring their computer equipment that's perfectly good for home use. computers and internet access are helping everybody in the community and people who don't have it can come to us to help with that. one of the biggest problems we see isn't whether people can get computers through programs like ours, but whether they can understand why they need a computer. really the biggest issue we are facing today is helping people understand the value of having a computer. >> immediately they would say can i afford a computer? i don't speak any english. how do i use it. then they will start to learn how to do email or how to go back to chinese newspaper to read all the chinese newspaper. >> a lot of the barrier still
is around lack of knowledge or confusion or intimidation and not having people in their peer network who use computers in their lives. >> the important thing i learned from caminos was to improve myself personally. when i first came to caminos, i didn't know anything about computers. the second thing is i have become -- i have made some great achievements as an individual in my family and in things of the world. >> it's a real issue of self-empowerment where new immigrant families are able to communicate with their families at home, able to receive news and information in their own home language, really become more and more connected with the world as well as connected even inside their local communities. >> if we value the diversity of our city and we value our diverse neighborhoods in the city, we need to ensure that
they remain economically viable. equiping them and equiping residents in those areas with jobs that will enable them to stay in san francisco is critical to that. >> the important thing that i see here at caminos is it helps the low income community, it helps the women who wouldn't have this opportunity otherwise. >> the workers with more education in san francisco are more likely to be able to working that knowledge sector. where they are going to need that familiarity with the internet, they are going to find value with it and use it and be productive with it every day. and half of the city's population that's in the other boat is disconnected from all that potential prosperity. >> we really need to promote content and provide applications that are really relevant to people's lives here. so a lot of the inspiration, especially among the immigrant community, we see is communications with people from their home country but we as much want to use the internet as a tool for people to connect
within the local san francisco community. >> i think it's our job as public educators to give them this access and give them this opportunity to see that their efforts are being appreciated beyond their immediate reach. >> you have to blend this idea of community network with computer equipment with training and with support. we can pull all that together, then we've got it. >> it's as much about social and economic justice -- in fact it's more about social and economic justice than justst